Recent Articles

Recent Articles by Norm Narvaja

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Meat Beat Manifesto

With Badawi. Monday, April 21, at the Grog Shop, Cleveland Heights.

By Norm Narvaja

Published on April 16, 2008

While most of the late-'80s industrial scene focused on the genre's mechanical, dehumanizing qualities, Meat Beat Manifesto took a more adventurous and personal approach to the music. Starting with 1989's Storm the Studio, frontman Jack Dangers turned industrial's playbook inside out, fusing dub, hip-hop, and jazz with the rigid, robotic beats of Kraftwerk and Cabaret Voltaire. Since the '90s, Dangers has been taking his aural experiments even further. Meat Beat Manifesto's latest album, Autoimmune, is a slick convergence of the many styles Dangers has appropriated over the years; most notably, he forces the dub and hip-hop elements to the foreground, while electronica flourishes provide the songs' foundations. Onstage, Dangers creates an audiovisual experience that approaches sensory overload, incorporating a live band and video projections.