Recent Articles

Recent Articles by Dan Weiss

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

The Raconteurs

Consolers of the Lonely (Third Man/Warner Bros.)

By Dan Weiss

Published on April 16, 2008

The White Stripes' color scheme is thematically crucial. Jack and Meg paint their albums in bloody red chunks of guitar and blindingly white splashes of cymbals. None of their records evokes any other color — even though last year's Icky Thump flirted with green on the bagpipe cuts. Within the subtle, gritty shades of their limited palette, the Stripes have folded all kinds of sounds and reconstructed each one to match their single-minded and blunt dynamic.

Jack White is way more colorful when he steps out of his signature duo and plays with the Raconteurs, the side project he co-leads with pal Brendan Benson. Yet the part-time group will never match the nail-biting intensity the Stripes bring to their best albums. So, on their second album, Consolers of the Lonely, the Raconteurs forget about all that and pile on the fun. Who cares where they stole the driving chords that fuel "Salute Your Solution" and "Old Enough" from? These songs rock hard and often. And you can't beat that rainbow-hued palette.